Friday, 16 October 2020


camera angles in music videos

 One way in which music videos display media language is through camera angles. The way camera angles are handled in music videos can tell you a lot the video's theme and the vibe it's trying to give off. For instance, in Sk8ter boi by Avril Lavigne, the camera angles are very exaggerated and shaky with very high or low angled shots when Avril is singing or fast shaky camera movements for when a group of people are running to emphasize the chaos going on. The camera also cuts very quickly, making it harder to process what just happened and helps create a messy, rebellious and messy feel just like the teenagers/young adults that are shown throughout the video. the fast cuts also add mystery. As the song goes on we are told a story about a girl and a boy who are complete opposites of each other. Near the start of the video we only get one shot of what these two look like so most of it was left up to your imagination. On the other hand the camera angles in Teenage dirtbag are a lot less chaotic and crazy compared to Sk8ter boi. This is because the setting and story of Teenage dirtbag is a lot more simple and common with the American high school setting.  Unlike the rebellious streets and alleyways, the school setting implies rules and a more organised manner, hence the more simple and straight camera angles. The camera angles Sk8ter boi just wouldn't work in a high school setting especially since the story and characters within it are seen more often and with slower pace to them, e.g. the shot of the jocks walking down the hallway feels more slowed down to emphasize their intimidating nature. The slower motion also helps the audience catch up and understand what's going on. Overall the two music videos have very different kinds of camera work but both work equally work well in helping with the story and setting.

Monday, 12 October 2020

Pop and Mojo comparison

 




PREP How is media language used on the front cover of MOJO? In each point, compare how differently We Love Pop uses media language.

Copy / paste the title and words below into your blog, then complete the document in your own words:

 

Comparison of media language in MOJO and We Love Pop

The layout of MOJO is more simple which connotes (=has associations of) appealing more to the target audiences eyes, middle aged people are more likely to buy less colourful and cluttered magazines.By contrast, the layout of We Love Pop is more messy and colourful which connotes to catching the target audiences attention, it has a lot more pictures of the people featured all messily placed.

 

The typography of MOJO is more simple which connotes (=has associations of) there are less fonts dancing around the cover making it all fit together nicely. By contrast, the  typography of We Love Pop is more random which connotes to being a lot more un focused but every font catches you and makes you read it. Basically being random like the generation it’s appealing to.

 

 

The colour palette of MOJO is limited to mostly having dark colours .which connotes (=has associations of)this makes the band look more eye catching with the brighter colour compared to the rest of the cover but also makes them look more intimidating. By contrast, the colour palette of We Love Pop is bright and colourful which makes it seem visually noisy and loud. The colours are trying to steal your attention.

 

The language of MOJO emphasises the bands prime time whereas the language of We Love Pop is more focused on the pop stars lives then their music specifically.

Sunday, 11 October 2020

The Cuffs cast

 

Cuffs: the cast                                                                   Jess N

Jacob Ifan (Jake Vickers)

Amanda Abbington (Jo moffat)

Shaun Dooley (Carl Hawkins)

Alex Carter (PC Lino)

Ashley Walters (Ryan Draper)

Robbie Gee

Eleanor Matsuura (Donna Prager)

Andrew Hawley (Simon)

Peter Sullivan (Chief)

Paul Ready (DI Felix Kane)

Clare Burt (Debbie)

Bhavna Limbachia (PC Misha)

Pippa Nixon (Alice Gove)

02 news: representation

1 which women are represented and how they are represented?  Women are under represented in the 1960s Observer which reflects a patriarchal ...